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Sister Wife

Sister Wife

By Jill Orschel

United States 10 minutes 2009 English
Genres
Keywords
Awards
  • Best of Fest (Winner) - 2009 Salt Lake City Film Festival (Salt Lake City, USA)
  • Best Short Film (Winner) - 2009 Salt Lake City Weekly (Salt Lake City, United States)
  • Special Jury Award (Winner) - 2009 SXSW Film Festival (Austin, United States)
  • Utah Film of the Year Finalist (Winner) - 2009 Fear No Film Festival (Salt Lake City, United States)
Festivals
  • AFI Dallas International Film Festival 2009 (Dallas, TX, USA)
  • Aspen Shortsfest 2009 (Aspen, United States)
  • Citizen Jane Film Festival 2009 (Columbia, United States)
  • DOCPOINT Film Festival 2009 (Helsinki, Finland)
  • Fear No Film Festival 2009 (Salt Lake City, United States)
  • Hamptons International Film Festival 2009 (Hamptons, United States)
  • International Documentary Film Festival Amsterdam 2009 (Amsterdam, Netherlands)
  • Los Angeles Film Festival 2009 (Los Angeles, United States)
  • Rocky Mountain Women's Film Festival 2009 (Colorado Springs, United States)
  • Rooftop Films 2009 (New York, NY)

Synopsis

"Imagine your sweetheart in the kitchen, kissing another woman," says DoriAnn, the subject of the short documentary Sister Wife. Now imagine the other woman is your little sister...and your sweetheart's other wife. In a time when the practices of Mormon fundamentalism offer sensational fodder for the evening news, but little honesty, Sister Wife offers a rare and unflinching glimpse into a private and often misunderstood lifestyle.

The film follows DoriAnn through her private bathing meditation in intimate, handheld footage. She first appears as a character far removed from mainstream audiences: a fundamentalist from an infamous polygamist community, a mother of 12 and the second wife to her younger sister's husband. The bathwater washes away the exotic labels, laying bare the universal nature of DoriAnn's struggle to balance her faith with her feminism, and her spiritual ideals with her earthly emotions. As the film unfolds, the bath becomes a baptism and DoriAnn emerges as a full-bodied woman: complex, individual and utterly human.

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